Now that MIFF has come
to a close for another year, let me shake off the rising melancholia by
reminiscing about the films I saw in the second half of the festival. (There’s
already a blog about the films I saw in the first half. How productive of me) I
feel like I saw a bit of an eclectic mix at the festival this year, work shifts
preventing me from buying tickets early meant that often what I wanted to see
was sold out and I had to make do with what seemed the best on, but perhaps
this is the best kind of festival viewing.
Ain’t Them Bodies
Saints
Easily the best thing
I saw at MIFF this year. A Bonnie-and-Clyde-style outlaw film but one set after
the point that most finish, where the couple have already been separated by 4
years of incarceration. It stars Rooney Mara and Casey Affleck as the two leads
and both do remarkable jobs; I completely forgot that I was watching two actors
that I really like for the entire duration of the film. It would be really easy
for me to struggle to empathise with these kind of characters but the writing
here too is so good that I had no problems. The Texan landscape of the film too
is gorgeously shot. It’s a relatively slow moving film but one that is
completely engrossing. I’m fairly sure it’s having a release post-festival
(even if only at the Nova), and would highly recommend.
Magic Magic
This was a film that
it seemed no one was really sure of. I’d grown so accustomed to the way that
people applaud at the conclusion of festivals films that the silence that followed
this was deafening. It took a full 2 minutes before people started to clap, and
even then it was fairly unenthusiastic. I don’t necessarily know if that’s
because people hated it, or like me they just didn’t know what to think. A week
on from seeing it I’m still not entirely sure if I liked it or not. The film
follows the bizarre events that befall an American girl on holidays in Chile visiting
her cousin and some of her cousin’s friends. It features scenes that are funny,
and scenes that are disturbing in equal measure, and ultimately leaves it
completely open to interpretation as to whether the protagonist is
mentally-disturbed or sick, a drug addict, or afflicted by something
supernatural. Michael Cera gives a performance that is at times reminiscent of
his typical, socially awkward persona, but is even more so deeply unsettling.
Exposed
Another documentary to
add to the two that I saw last week. Exposed
follows the lives of 8 men and women working in New York’s burlesque scene,
exploring how they got into it and what they aim to get out of it. It really
interestingly focuses on the political side of things; how these artists seek
to challenge the dominant ideology through embodiment of the transgressive. Mostly
this is a challenge to views on sexuality and gender, though other shows
depicted in the film make comments on disability and consumerism too. For me as
well, it showed me how little it was that I knew about burlesque and the
diversity of acts within the art form. There were definitely some acts that I
thought would be amazing to see, and others that looked only barely
entertaining. Definitely an interesting insight on the whole, though not a film
for anyone who has even the slightest of issues with nudity.
Thanks for Sharing
This was one of the
special screenings on the last day of the festival, which meant I had the
pleasure of a cinema only half full (after two weeks of feeling like I’m
sitting on top of people in sold out sessions). A comedy about sex addiction
from the writer of The Kids Are Alright sounded
exactly like my cup of tea. Another film that has a release date set for after
the festival, and would be worth a view once Ain’t Them Bodies Saints has had a watch. This film is nothing to
rave about but is a solid watch, all the actors do decent jobs in the roles
they have. This film features singer P!nk’s acting debut and though I was
determined to hate it, as I do most of her music, she pulls it together for a
convincing enough job.
Another year of MIFF
gone, hopefully Melbourne’s
other festivals will keep me entertained until next year rolls around.